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HISTORY OF CREATIVE ACCESS
Creative Access began in the spring of 1992
when a group of Deaf, hard of hearing, and hearing individuals,
parents and professionals of varied ethnic, racial and socio-economic
backgrounds, met to address the issue of exclusion of deaf
and hard of hearing people from the social and cultural
fabric of our communities.

Concerned about the invisibility of Deaf and
Hard of Hearing people in the cultural highways and byways
of our City’s vast array of cultural arenas, we set
about the task of altering this picture significantly. Prior
to that time, the Deaf community had indeed constituted
a virtually invisible minority in most walks of life. Thus,
we believed, that invisibility allows stereotypes to be
perpetuated, and therefore saw visibility as the key to
breaking down stereotypes about Deaf people, their language
and their culture. Further, we viewed access to and participation
in the arts and cultural life of any community as amongst
the best means of achieving this. After all, has it not
been demonstrated time and again, with the emergence and
celebration of cultural diversity, that participation of
and exposure to any minority culture, benefits all who are
availed of it. Having described our primary purpose, our
mission then became: to assure greater visibility, full
accessibility, opportunity and inclusion of Deaf and Hard
of Hearing people of all ages in the arts and cultural venues
of Southeastern Pennsylvania, and to do so by bringing Deaf
and Hard of Hearing people of all ages into the mainstream
of Philadelphia area arts and culture by promoting American
Sign Language and the Deaf culture wherever and whenever
possible.
Though it is true that hearing loss crosses
all lines, the key problem is the same for all, that is,
the breaking down of communication barriers so that individuals
who are Deaf and Hard of Hearing may have the option of
having access to mainstream, hearing culture. However, from
the start, the founding group of what came to be known as
Creative Access, believed that to simply promote access
to mainstream cultural events and programs would be leaving
out an equally essential part of our mission: to promote
and provide stages and forums in which to showcase the skills
and talent of performers who are themselves of and about
the DEAF culture, or who perform and enlighten us all, through
the unique beauty of American Sign Language. This brings
another hue to the already rich and diverse cultural arena
we call the Delaware Valley.
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